Search results for "documentary film"
showing 6 items of 6 documents
Recent documentary films about migration: in search of common humanity
2019
The article analyzes four recent documentary films that deal with the current migration crisis, describing migration from Middle East and Sub-Saharan Africa to Europe. The Land Between (David Fedel...
Witnessing the experience of European bordering: Watching the documentaryUnder den samme himmelin an immigration detention centre
2017
This article draws on theories of bordering and mediated witnessing to examine a documentary film that mediates migrants’ experiences of bordering in Europe. My analysis of Under den samme himmel/Days of Hope shows how the film captures the multiplicity of bordering practices, from geographical to socio-cultural borderings. The analysis is informed by watching and discussing the film in an immigrant detention facility in Finland with people who experienced and eye-witnessed experiences similar to those depicted in the film. This creates a sense of co-presence of the experiential landscapes in the border zones, and the film invites viewers to consider borders not as lines in the landscape, b…
Experimentación e innovación en el cortometraje documental latinoamericano moderno: las experiencias de Brasil, Cuba y México/ Experimentation and in…
2017
Resumen: El presente artículo aborda el cine moderno latinoamericano a partir de la articulación del cortometraje y el documental en tanto agentes fundamentales en el asentamiento de este fenómeno en la región. Para ello hemos escogido tres países –México, Brasil y Cuba– que han atravesado realidades disímiles en cuanto a la conformación de una tradición cinematográfica industrial. De este modo, corroboramos en un primer apartado el rol del cortometraje documental en las tres cinematografías contempladas a través del desarrollo del mismo a lo largo de la historia para desembocar en la renovación expresiva y semántica de los años cincuenta y sesenta. El film de corta duración se ha convertid…
Temporality in cosmopolitan solidarity : Archival activism and participatory documentary film as mediated witnessing of suffering at Europe’s borders
2019
This article develops and extends the idea of cosmopolitan solidarity to temporality through a case study of archival activism and participatory film-making. It examines mediated witnessing within the Italian online audiovisual archive Archivio delle memorie migranti, which documents and archives the experiences of contemporary migrants in Italy. The moral basis of Archivio delle memorie migranti is cosmopolitan solidarity, which is usually understood as a practice that crosses spatial and communal boundaries. However, the ethics of solidarity also bridges past, present and future generations. Through the case of Archivio delle memorie migranti, this article demonstrates the significance o…
Witnessing the experience of European bordering : watching the documentary Under den samme himmel in an immigration detention centre
2019
This article draws on theories of bordering and mediated witnessing to examine a documentary film that mediates migrants’ experiences of bordering in Europe. My analysis of Under den samme himmel/Days of Hope shows how the film captures the multiplicity of bordering practices, from geographical to socio-cultural borderings. The analysis is informed by watching and discussing the film in an immigrant detention facility in Finland with people who experienced and eye-witnessed experiences similar to those depicted in the film. This creates a sense of co-presence of the experiential landscapes in the border zones, and the film invites viewers to consider borders not as lines in the landscape, b…
1968 And Rural Japan as A Site of Struggle. Approaches to rural landscapes in the history of Japanese documentary film
2021
In the twentieth century, Japan produced an extraordinary documentary film heritage around the rural world which has not received sufficient attention. This article identifies three different approaches to the rural in Japanese film history: first, the wartime interest in place as providing an 'authentic essence' of a national identity. Second, the post-war representation of the rural in public relations films (PR eiga), mainly interested in geography. And third, the release of Ogawa's Summer in Sanrizuka in 1968 which brought a new dimension to a countryside transformed into both a battlefield and an icon of the political protest of the era.